The shawl from 1845 is done, and blocking.
I have weaved in ends but will wait to cut them until it is completely dry. Whenever I work these old patterns I sit and memorize what I know about the period.
Van Gogh had a Japanese lacquered box in which wools were kept.
He used to make up combinations of complementary colors.
I recommend this pattern for people who work at open air museums in the period 1845- 90. It is an easy way to dress up for an original urban Victorian outfit.
Van gogh had a wool box. I love it. The close up of the photo looked like tapestry.
ReplyDeleteI am very happy to have found your blog through Ravelry!
ReplyDeleteI dance with a Scandinavian folkdance group in Manitoba, Canada, and we have to make our own costumes.
I have been wanting to find a pattern for a shawl for a very long time, and I'm very happy to have found yours, (but it is still too difficult for me right now.)
However, every good knitter enjoys a challenge, right?
While I knew about the fad for bright aniline dyes during this period, seeing a pattern in the colors that were intended is still quite a surprise. The gray and white part at the top seems so very different from the hot pinks and black below. Almost quiet.
ReplyDeleteYou are right, Ana. I have heard that people overdid the colors because they were fading. It just did not happen with the aniline dyes.
ReplyDeleteThe tie-shawl must be perfect for dancing. Write to me again when you are ready for a small challenge.
ReplyDeleteArtificial colours were probably as exciting then as hand-dyed ones are now. We're always looking for change. I think that another reason people liked bright colours was because lighting was much more sombre than it is now. When eighteenth-century rooms are restored to their original colours, they often look rather garish in electric light but are pretty in candlelight. Lovely shawl.
ReplyDeleteThanks Helen. I have had the same thoughts. In the period 1890 - 1910 the colors are black,brown and khaki.
ReplyDeleteOh That is lovely!!
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